I just watched Ghostbusters again, for the umpteenth time. It’s just as funny as it ever was, but now there is a hint of sadness mixed in as well. Harold Ramis had an astounding career beside Ghostbusters, but that is the movie I will always go back to. I always identified with Egon. It is strange to see him on the screen, to hear his deadpan voice and to also know he’s passed on. It doesn’t seem right.
Even as The Lone Ranger and Man of Steel shook our faith in popcorn movies to the very core, there was sanctuary on our living room couches in what’s turning into the golden age of television. As Walter White’s life imploded, or as Don Draper broke his daughter’s heart, or as the Stark lineage shrank before our very eyes, our favorite characters’ misery gave us unprecedented joy in 2013. But it wasn’t all darkness and heartache: there was the triumphant return of Arrested Development and Eastbound and Down and plenty of laughs with goofy new kid on the block, Brooklyn
If you think year-end music lists are about nailing down the best music of the year, you are doing it wrong. Music is intensely personal, so lists should be like fingerprints, not aggregations of taste. That’s why I’m particularly proud of Unwinnable’s Best Music of 2013. Sure, we put some hits up on the board, but I think our top ten reflects more than a little of our off-kilter sensibility. And if you really want to discover some new music keep reading (and listening to our Spotify playlist). Our nominees go deep, hard and weird.
You know what sucked about 2013? A lot.
It is the holidays. That means Unwinnable has a new mix tape to keep away the seasonal depression with some snarling attitude. Christmas? Bah, humbug.
An already crowded media player marketplace sees Google step in, and Don Becker wonders if they just cleared the field entirely.
Don Becker returns to The App Hole with a critique of Blackberry’s lackluster attempts to stay current.
For Sex Week, Unwinnable made you the dirtiest, raunchiest mix tape we could manage.