Stu Horvath returns to Haddonfield to examine the legacy of John Carpenter’s Halloween.
Stu Horvath wonders if we really need a Ghostbusters III.
The earliest memory I have of The Fog is catching it during one of those monster movie marathons channels used to run on weekends in October, the ancestors of Joe Bob Briggs’ MosterVision. I was at my grandparent’s house down the shore and expecting the usual fare of kaiju or schlocky 50s B-movie monsters. What I got, though… One scene in particular stands out: when the young boy Andy walks along the windswept beach and finds a piece of driftwood emblazoned with the name of the ship that is haunting Antonio Bay. I didn’t get much farther than that –
Matt Marrone discover the connections between Canadian painter Alex Colville and Stanley Kubrick’s The Shining.
Matt Marrone interviews Brad Dukes, author of Reflections: An Oral History of Twin Peaks.
EIC Stu Horvath riffs on Unwinnable’s relationship with spoilers and gives the lowdown on the stories in Unwinnable Weekly Issue Eleven.