Team Unwinnable checks out Dawn of the Planet of the Apes in the debut installment of Unwinnable Goes to the Movies.
“I feel like a kid running away from his first molestation at Boy Scout camp.” That did it. I cringe back into my theater seat, feeling a patina of filth gather on the back of my throat. It’s done. It’s over. It was a nice try, but Let’s Plays have just lost what good will they could muster with the cinephile crowd. It’s been a rocky evening here at the Los Angeles Film Fest. The inaugural Let’s Play screening had started off modestly with
“Why are so many students missing?” It’s the first question that pops into my mind as the bell rings to start class. I had been teaching in Busan, South Korea for about half a year at this point – March 2011 – and if there’s one thing I’d learned in that time it was that kids don’t skip school. This day was different, though, with numerous students absent in each class that came in through the doors. Light rain was steadily coming down outside, but it was nothing worth worrying about. At least, that’s what I thought. “Radiation,” my coworker
David Lynch’s 1984 cult classic Dune is a flawed and fascinating movie that managed to capture my imagination while confusing the hell out of me decades ago. Other than the flawed SyFy Channel miniseries and some video games adapting Frank Herbert’s books. Who would have thought that my coincidental discovery of the topic of director Frank Pavich’s recent documentary Jodorowsky’s Dune would occur after a random balmy midnight screening at The IFC Center in Manhattan?
There’s a new Teenage Mutant Ninja Turtles movie coming out. I’m not here to savage the thing. That’s the work of countless, more predictable others. I am here, though, to explain why I ever liked the goofy comics in the first place. Partly because Unwinnable’s boss man so flippantly dismissed ‘em. He’s totally right, though.
Jordan Mammo uncovers the fleeting dream hidden beneath the controversy surrounding Hayao Miyazaki’s final movie, The Wind Rises.